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tremuit
 VAGANTES Libuše Kočvarová, Helena Kohlová,Veronika Konvalinková, Martina Mrvová, Zuzana Zadrobílková, Antonín Hlaváček, Martin Konvalinka, Jaroslav Beran, Jiří Podešva soprano solo: Marta Fadljevičová A. V. Consort: organ positiv: Martina Přibylová, teorba: Jan Krejča, bass viola da gamba: Miloš Štípl, kontrabas: Petr Kupčák, baroque transverse flute: Jaroslav Beran |
G. Giorgi (? – 1762) [ 1 ]Gloria et honore  [ 2 ] Haec dies [ 3 ]Kyrie [ 4 ] Gloria [ 5 ] Intonuit [ 6 ] Missus est [ 7 ] Ave Maris Stella [ 8 ] Senex [ 9 ] Credo [10] Sanctus [ 11 ] Responsum [12] O sacrum [13] Agnus Dei [14] Alleluja. Veni [15] Ave Maria [16] Terra tremuit |
Fugiens
Doctor and Poet Michael Maier published in 1617 renowned alchemistic tractat
Atalanta Fugiens. The book represents an exceptional attempt at creating a “multimedia” opus. Secrets of Nature are presented in fifty chapters, each of which contains short tag line, copperplate, explanatory comment and versified six-line epigram, which is set to music in a three-voice vocal composition - fugue .  VAGANTES Veronika Konvalinková, Martina Mrvová, Ivona Laláková, Antonín Hlaváček, Martin Konvalinka, Libor Štětkář, Jiří Podešva, Jaroslav Beran A.V. CONSORT Kateřina Doležalová – harp; Lucie Prchlíková - lute; Miloš Štípl – bass viola da gamba, bass recorder SVOBODNÉ HUDEBNÍ BRATRSTVO Štefan Sukup – cornetto, soprano recorder, alto recorder, tenor recorder, soprano cornamuse, alto crumhorn, bass transverse flute; Marek Columby – cornetto, Ondřej Sokol – tenor sackbut, serpent, soprano recorder, alto recorder; Jan Klimeš – tenor dulcian, Petr Budín – bass dulcian |
I. Embryo ventosa... II. Romulus hirta... III. Abdita quisquis... IV. Non hominum... V. Foemineo gelidus... VI. Ruricolae pingui... VII. Rupe cava nidum... VIII. Est avis in mundo... IX. Arbor inest hortis... X. Machina pendet... XI. Latonae sobolem... XII. Nosse cupis causam... XIII. Praetumido languens... XIV. Dira fames Polypos... XV. Aspice quam celeri... XVI. Victor quadrupedum... XVII. Naturae qui imitaris... XVIII. Si quod agens... XIX. Bis duo stant... XX. Flamma voratque... XXI. Foemina masque... XXII. Quisquis amas... XXIII. Res est mira... XXIV. Multivorum captare... XXV. Exiguae est... XXVI. Major in humanis... XXVII. Luxuriat... XXVIII. Rex Duenech... XXIX. Degit in ardenti... XXX. O Sol... XXXI. Rex, Diadema... XXXII. Planta maris... XXXIII. Ille biceps... XXXIV. Balnea conceptu... XXXV. Respice Triptolemum... XXXVI. Vile recrementu... XXXVII. Terna magisterii... XXXVIII. Rem geminam... XXXIX. Sphyngem enigmatico... XL. Sunt bini liquido... XLI. Ex patre... XLII. Dux natura tibi... XLIII. Montis in excelso... XLIV. Syria Adonidem... XLV. Sol, fax clara... XLVI. Jupiter e Delphis... XLVII. Hinc, ubi Sol... XLVIII. Divitiis populisque... XLIX. Fabula narratur... L. Alta venenoso... |
 VAGANTES Eva Coualová, Veronika Konvalinková, Martina Mrvová, Zuzana Zadrobílková, Antonín Hlaváček, Martin Konvalinka, Libor Štětkář, Jiří Podešva, Jaroslav Beran Miloslav Študent - arciloutna |
Jacob Arcadelt (1505-1567) [ 1 ]Il bianco e dolce cigno [ 2 ] Ave Maria Elias Mertel (1561-1626) [ 3 ]Preludium 224 Jan C. Vodňanský (1572-1622) [ 4 ] Da melos camaena [ 5 ] Nigra sum Juan del Encina (1468-1529) [ 6 ] Mas vale trocar [ 7 ] Triste Espańa Elias Mertel [ 8 ] Preludium 179 Jacob H. Gallus (1550-1591) [ 9 ] Dulces exuviae [10] Ierusalem gaude Jan C. Vodňanský [ 11 ] Oda IX. William Byrd (1542-1623) [12] I thought, that love [13] Ave verum corpus Elias Mertel [14] Preludium 79 Giovanni Palestrina (1525-1594) [15] I vaghi fiori [16] Improperium expectavit Elias Mertel [17 ] Preludium 222 Orlande de Lassus (1532-1594) [18] Gallans, qui par terre [19] In monte Oliveti Claudio Monteverdi (1581-1644) [20] Ecco mormorar l’onde [21] Domine ne in furore Elias Mertel [22] Preludium 24 John Wilbye (1574-1638) [23] Adieu, sweet Amaryllis [24] Homo natus |